Electronic Dance Music (EDM) Market Report, Global Industry Analysis, Market Size, Share, Growth Trends, Regional Outlook, Competitive Strategies and Segment Forecasts 2024 - 2030

  • Published Date: Jan, 2024
  • Report ID: CR0193639
  • Format: Electronic (PDF)
  • Number of Pages: 189
  • Author(s): Joshi, Madhavi

Report Overview

The Electronic Dance Music (EDM) Market size was estimated at USD 6.5 billion in 2023 and is projected to reach USD 12 billion by 2030, exhibiting a compound annual growth rate (CAGR) of 9.80% during the forecast period (2024-2030).

Electronic Dance Music (EDM) Market

(Market Size)
$6.5 billion
$12 billion
2023
2030
Source: Citius Research
Study Period 2018 - 2030
Base Year For Estimation 2023
Forecast Data Period 2024 - 2030
CAGR (2024-2030) 9.80%
2023 Market Size USD 6.5 billion
2030 Market Size USD 12 billion
Key Players Live Nation, SFX Entertainment, Insomniac Events, Ultra Music Festival, Tomorrowland

Market Summary

The Electronic Dance Music (EDM) market within the consumer goods industry encompasses a wide array of products and merchandise directly tied to the genre's culture and its enthusiastic fan base. This market is fueled by the global popularity of EDM festivals, renowned DJs, and the pervasive influence of the music across various media platforms. Key product categories include apparel, accessories, collectibles, and specialized equipment that cater to both avid listeners and professional artists. The industry thrives on innovation, constantly aligning product releases with musical trends and major event schedules to maximize consumer engagement and sales. Brand collaborations between artists and consumer goods companies are increasingly common, creating limited edition items that drive demand and foster brand loyalty. The market's dynamics are shaped by a digitally-savvy demographic that values authenticity, exclusivity, and community connection, making e-commerce and social media marketing pivotal channels for growth and customer acquisition.

Key Highlights

The EDM consumer goods market is characterized by its strong synergy with live events and digital streaming platforms, which serve as primary catalysts for product discovery and sales. Exclusive merchandise launches at major festivals like Tomorrowland and Ultra Music Festival often generate significant revenue and media attention. Another highlight is the proliferation of branded audio equipment and DJ gear from leading companies such as Pioneer DJ and Native Instruments, which are considered industry standards. The market also sees substantial activity in fashion, with collaborations between artists and apparel brands creating high-demand collections. Sustainability is emerging as a key trend, with an increasing number of companies focusing on eco-friendly materials and ethical production practices to appeal to environmentally conscious consumers. The integration of technology, such as augmented reality in product experiences, is also gaining traction, offering innovative ways for brands to engage with their audience.

Drivers, Opportunities & Restraints

Primary drivers of the EDM consumer goods market include the growing global fanbase, increased disposable income among young adults, and the cultural mainstreaming of electronic music. The rise of social media and influencer marketing further amplifies product visibility and desire. Significant opportunities exist in expanding into emerging markets where EDM popularity is rising, such as parts of Asia and Latin America, and in developing tech-integrated products like smart wearables and immersive audio gear. The growth of online retail platforms also allows for direct-to-consumer sales strategies that bypass traditional distribution channels. However, the market faces restraints including high competition leading to price pressures, counterfeiting of popular merchandise, and economic sensitivities that can reduce discretionary spending. Additionally, the reliance on live events makes the market vulnerable to disruptions, as evidenced by global event cancellations, which can severely impact merchandise sales and brand activations.

Concentration Insights

The market concentration for EDM-related consumer goods features a mix of large, established corporations and nimble, niche players. Major companies like Sony Music Entertainment and Live Nation Entertainment hold significant influence through artist partnerships, event organization, and merchandising arms. Simultaneously, specialized firms such as Beatport and DJ TechTools cater to core enthusiasts with dedicated products. The industry is moderately fragmented, with numerous small to medium-sized enterprises operating in specific niches like apparel or custom equipment. This structure fosters intense competition but also encourages innovation and rapid adaptation to trends. Geographic concentration is notable in regions with strong EDM cultures, such as North America and Western Europe, where most leading brands and manufacturers are headquartered, though manufacturing itself is often globalized to optimize costs.

Type Insights

The market is segmented by product type into several key categories. Apparel and fashion represent a substantial segment, including t-shirts, hoodies, and accessories often featuring artist logos or festival branding. Another critical type is audio equipment and DJ gear, encompassing headphones, controllers, mixers, and speakers predominantly supplied by brands like Pioneer DJ, Denon DJ, and Allen & Heath. Collectibles and novelties, such as vinyl records, posters, and limited-edition items, also form a dedicated segment for superfans. Furthermore, the market includes lifestyle products like home decor and tech accessories inspired by music aesthetics. Each type caters to different consumer needs, from professional use to fan expression, with innovation focused on enhancing quality, functionality, and brand connection.

Application Insights

EDM consumer goods applications are diverse, targeting both individual consumers and business clients. The primary application is direct retail to fans purchasing merchandise to show allegiance to artists, labels, or festivals. This includes wearables and accessories used in daily life or at events. Professional applications involve the sale of high-end DJ and production equipment to artists, nightclubs, and event organizers, requiring durability and advanced features. Another application is promotional and marketing use, where companies create branded items for giveaways or partnerships to enhance visibility. Additionally, the licensing of artist brands and imagery to third-party manufacturers for product creation is a significant B2B application, enabling expansion into various product categories without direct manufacturing by the music entities.

Regional Insights

Regionally, North America and Europe dominate the EDM consumer goods market, driven by well-established music scenes, high disposable incomes, and major festival presence. The United States is a particularly strong market due to its large number of events and influential artists. Europe follows closely, with countries like the Netherlands, Germany, and the UK being key hubs for both consumption and innovation in music technology. The Asia Pacific region is identified as a high-growth area, with increasing festival popularity in countries like China and India creating new demand for related goods. Latin America and the Middle East are emerging regions showing potential due to growing youth populations and rising interest in electronic music, though market development varies significantly by country based on economic factors and cultural acceptance.

Company Insights

Prominent companies in this market include Sony Corporation, with its diverse portfolio encompassing music publishing, audio equipment, and artist merchandise. Live Nation Entertainment is a key player through its ownership of major festivals and ticketing platforms that drive merchandise sales. Pioneer DJ, a subsidiary of AlphaTheta Corporation, is a leader in professional DJ equipment. Other significant entities include Beatport, which operates a music store and merch platform, and apparel brands like Dirtybird Records that have built strong consumer goods arms. These companies compete on brand strength, product innovation, and exclusive artist partnerships. Strategies often focus on vertical integration, controlling aspects from music production to merchandise retail, and on global expansion to tap into new audiences and revenue streams.

Recent Developments

Recent developments in the EDM consumer goods market include an increased focus on sustainability, with companies introducing product lines made from recycled materials and adopting greener packaging. Technological integration is another trend, seen in the launch of smart apparel and equipment with enhanced connectivity features. The market has also witnessed a surge in virtual events and digital merchandise, such as NFTs, as alternatives to physical goods, especially following the pandemic's impact on live events. Major acquisitions and partnerships have occurred, such as larger music conglomerates acquiring niche apparel brands to diversify their offerings. Furthermore, there is a growing emphasis on direct-to-consumer e-commerce models, with brands investing heavily in their online stores and digital marketing to build stronger community ties and data collection capabilities.

Report Segmentation

This report on the EDM consumer goods market is segmented to provide a detailed analysis across multiple dimensions. The segmentation by type includes apparel and accessories, audio equipment and DJ gear, collectibles and novelties, and other lifestyle products. Application segmentation covers individual consumers, professional users (artists and venues), and business applications such as promotional and licensed goods. Geographically, the market is analyzed across North America, Europe, Asia Pacific, Latin America, and the Middle East and Africa, with further country-level analysis for key markets. Additional segmentation may consider distribution channels, splitting analysis into online retail, specialty stores, and event-based sales. This multi-faceted approach allows for a comprehensive understanding of market dynamics, trends, and opportunities within each segment.

FAQs

What is electronic dance music? Electronic dance music is a broad range of percussive electronic music genres made largely for nightclubs, raves, and festivals.

How popular is EDM? EDM enjoys immense global popularity, particularly among younger demographics, and is a mainstream genre supported by major festivals, radio play, and streaming platforms.

Who are some famous EDM artists? Famous artists include Calvin Harris, Martin Garrix, David Guetta, and Ti?sto, among many others who have achieved international recognition.

What are the biggest EDM festivals? Major festivals include Tomorrowland in Belgium, Ultra Music Festival in Miami, Electric Daisy Carnival in Las Vegas, and Tomorrowland Brasil.

What defines the EDM culture? The culture is characterized by values of peace, love, unity, and respect (PLUR), a focus on live events, community, and a distinctive fashion and lifestyle.

How has EDM evolved? EDM has evolved from its underground roots in the 1980s to become a global mainstream phenomenon, incorporating diverse sub-genres and influencing pop music significantly.

Citius Research has developed a research report titled “Electronic Dance Music (EDM) Market Report - Global Industry Analysis, Size, Share, Growth Trends, Regional Outlook, Competitive Strategies and Segment Forecasts 2024 - 2030” delivering key insights regarding business intelligence and providing concrete business strategies to clients in the form of a detailed syndicated report. The report details out the factors such as business environment, industry trend, growth opportunities, competition, pricing, global and regional market analysis, and other market related factors.

Details included in the report for the years 2024 through 2030

• Electronic Dance Music (EDM) Market Potential
• Segment-wise breakup
• Compounded annual growth rate (CAGR) for the next 6 years
• Key customers and their preferences
• Market share of major players and their competitive strength
• Existing competition in the market
• Price trend analysis
• Key trend analysis
• Market entry strategies
• Market opportunity insights

The report focuses on the drivers, restraints, opportunities, and challenges in the market based on various factors geographically. Further, key players, major collaborations, merger & acquisitions along with trending innovation and business policies are reviewed in the report. The Electronic Dance Music (EDM) Market report is segmented on the basis of various market segments and their analysis, both in terms of value and volume, for each region for the period under consideration.

Electronic Dance Music (EDM) Market Segmentation

Market Segmentation

Regions Covered

• North America
• Latin America
• Europe
• MENA
• Asia Pacific
• Sub-Saharan Africa and
• Australasia

Electronic Dance Music (EDM) Market Analysis

The report covers below mentioned analysis, but is not limited to:

• Overview of Electronic Dance Music (EDM) Market
• Research Methodology
• Executive Summary
• Market Dynamics of Electronic Dance Music (EDM) Market
  • Driving Factors
  • Restraints
  • Opportunities
• Global Market Status and Forecast by Segment A
• Global Market Status and Forecast by Segment B
• Global Market Status and Forecast by Segment C
• Global Market Status and Forecast by Regions
• Upstream and Downstream Market Analysis of Electronic Dance Music (EDM) Market
• Cost and Gross Margin Analysis of Electronic Dance Music (EDM) Market
• Electronic Dance Music (EDM) Market Report - Global Industry Analysis, Size, Share, Growth Trends, Regional Outlook, Competitive Strategies and Segment Forecasts 2024 - 2030
  • Competition Landscape
  • Market Share of Major Players
• Key Recommendations

The “Electronic Dance Music (EDM) Market Report - Global Industry Analysis, Size, Share, Growth Trends, Regional Outlook, Competitive Strategies and Segment Forecasts 2024 - 2030” report helps the clients to take business decisions and to understand strategies of major players in the industry. The report delivers the market driven results supported by a mix of primary and secondary research. The report provides the results triangulated through authentic sources and upon conducting thorough primary interviews with the industry experts. The report includes the results on the areas where the client can focus and create point of parity and develop a competitive edge, based on real-time data results.

Electronic Dance Music (EDM) Market Key Stakeholders

Below are the key stakeholders for the Electronic Dance Music (EDM) Market:

• Manufacturers
• Distributors/Traders/Wholesalers
• Material/Component Manufacturers
• Industry Associations
• Downstream vendors

Electronic Dance Music (EDM) Market Report Scope

Report AttributeDetails
Base year2023
Historical data2018 – 2023
Forecast2024 - 2030
CAGR2024 - 2030
Quantitative UnitsValue (USD Million)
Report coverageRevenue Forecast, Competitive Landscape, Growth Factors, Trends and Strategies. Customized report options available on request
Segments coveredProduct type, technology, application, geography
Regions coveredNorth America, Latin America, Europe, MENA, Asia Pacific, Sub-Saharan Africa and Australasia
Countries coveredUS, UK, China, Japan, Germany, India, France, Brazil, Italy, Canada, Russia, South Korea, Australia, Spain, Mexico and others
Customization scopeAvailable on request
PricingVarious purchase options available as per your research needs. Discounts available on request

COVID-19 Impact Analysis

Like most other markets, the outbreak of COVID-19 had an unfavorable impact on the Electronic Dance Music (EDM) Market worldwide. This report discusses in detail the disruptions experienced by the market, the impact on flow of raw materials, manufacturing operations, production trends, consumer demand and the projected future of this market post pandemic.

The report has helped our clients:

• To describe and forecast the Electronic Dance Music (EDM) Market size, on the basis of various segmentations and geography, in terms of value and volume
• To measure the changing needs of customers/industries
• To provide detailed information regarding the drivers, restraints, opportunities, and challenges influencing the growth of the market
• To gain competitive intelligence and uncover new opportunities
• To analyse opportunities in the market for stakeholders by identifying high-growth segments in Electronic Dance Music (EDM) Market
• To strategically profile key players and provide details of the current competitive landscape
• To analyse strategic approaches adopted by players in the market, such as product launches and developments, acquisitions, collaborations, contracts, expansions, and partnerships

Report Customization

Citius Research provides free customization of reports as per your need. This report can be personalized to meet your requirements. Get in touch with our sales team, who will guarantee you to get a report that suits your necessities.

Customize This Report

Frequently Asked Questions

The Global Electronic Dance Music (EDM) Market size was valued at $XX billion in 2023 and is anticipated to reach $XX billion by 2030 growing at a CAGR of XX%
The global Electronic Dance Music (EDM) Market is expected to grow at a CAGR of XX% from 2023 to 2030.
For further details request a free sample copy of this report here.
For further details request a free sample copy of this report here.
For further details request a free sample copy of this report here.
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Table of Contents

Chapter 1. Introduction
  1.1. Market Scope
  1.2. Key Segmentations
  1.3. Research Objective
Chapter 2. Research Methodology & Assumptions
Chapter 3. Executive Summary
Chapter 4. Market Background
  4.1. Dynamics
    4.1.1. Drivers
    4.1.2. Restraints
    4.1.3. Opportunity
    4.1.4. Challenges
  4.2. Key Trends in the Impacting the Market
    4.2.1. Demand & Supply
  4.3. Industry SWOT Analysis
  4.4. Porter’s Five Forces Analysis
  4.5. Value and Supply Chain Analysis
  4.6. Macro-Economic Factors
  4.7. COVID-19 Impact Analysis
    4.7.1. Global and Regional Assessment
  4.8. Profit Margin Analysis
  4.9. Trade Analysis
    4.9.1. Importing Countries
    4.9.2. Exporting Countries
  4.10. Market Entry Strategies
  4.11. Market Assessment (US$ Mn and Units)
Chapter 5. Global Electronic Dance Music (EDM) Market Size (US$ Mn and Units), Forecast and Trend Analysis, By Segment A
  5.1. By Segment A, 2024 - 2030
    5.1.1. Sub-Segment A
    5.1.2. Sub-Segment B
  5.2. Opportunity Analysis
Chapter 6. Global Electronic Dance Music (EDM) Market Size (US$ Mn and Units), Forecast and Trend Analysis, By Segment B
  6.1. By Segment B, 2024 - 2030
    6.1.1. Sub-Segment A
    6.1.2. Sub-Segment B
  6.2. Opportunity Analysis
Chapter 7. Global Electronic Dance Music (EDM) Market Size (US$ Mn and Units), Forecast and Trend Analysis, By Segment C
  7.1. By Segment C, 2024 - 2030
    7.1.1. Sub-Segment A
    7.1.2. Sub-Segment B
  7.2. Opportunity Analysis
Chapter 8. Global Electronic Dance Music (EDM) Market Size (US$ Mn and Units), Forecast and Trend Analysis, By Region
  8.1. By Region, 2024 - 2030
    8.1.1. North America
    8.1.2. Latin America
    8.1.3. Europe
    8.1.4. MENA
    8.1.5. Asia Pacific
    8.1.6. Sub-Saharan Africa
    8.1.7. Australasia
  8.2. Opportunity Analysis
Chapter 9. North America Electronic Dance Music (EDM) Market Forecast and Trend Analysis
  9.1. Regional Overview
  9.2. Pricing Analysis
  9.3. Key Trends in the Region
    9.3.1. Supply and Demand
  9.4. Demographic Structure
  9.5. By Segment A , 2024 - 2030, (US$ Mn and Units)
    9.5.1. Sub-Segment A
    9.5.2. Sub-Segment B
  9.6. By Segment B, 2024 - 2030, (US$ Mn and Units)
    9.6.1. Sub-Segment A
    9.6.2. Sub-Segment B
  9.7. By Segment C, 2024 - 2030, (US$ Mn and Units)
    9.7.1. Sub-Segment A
    9.7.2. Sub-Segment B
  9.8. By Country, 2024 - 2030, (US$ Mn and Units)
    9.8.1. U.S.
    9.8.2. Canada
    9.8.3. Rest of North America
  9.9. Opportunity Analysis
Chapter 10. Latin America Electronic Dance Music (EDM) Market Forecast and Trend Analysis
  10.1. Regional Overview
  10.2. Pricing Analysis
  10.3. Key Trends in the Region
    10.3.1. Supply and Demand
  10.4. Demographic Structure
  10.5. By Segment A , 2024 - 2030, (US$ Mn and Units)
    10.5.1. Sub-Segment A
    10.5.2. Sub-Segment B
  10.6. By Segment B, 2024 - 2030, (US$ Mn and Units)
    10.6.1. Sub-Segment A
    10.6.2. Sub-Segment B
  10.7. By Segment C, 2024 - 2030, (US$ Mn and Units)
    10.7.1. Sub-Segment A
    10.7.2. Sub-Segment B
  10.8. By Country, 2024 - 2030, (US$ Mn and Units)
    10.8.1. Brazil
    10.8.2. Argentina
    10.8.3. Rest of Latin America
  10.9. Opportunity Analysis
Chapter 11. Europe Electronic Dance Music (EDM) Market Forecast and Trend Analysis
  11.1. Regional Overview
  11.2. Pricing Analysis
  11.3. Key Trends in the Region
    11.3.1. Supply and Demand
  11.4. Demographic Structure
  11.5. By Segment A , 2024 - 2030, (US$ Mn and Units)
    11.5.1. Sub-Segment A
    11.5.2. Sub-Segment B
  11.6. By Segment B, 2024 - 2030, (US$ Mn and Units)
    11.6.1. Sub-Segment A
    11.6.2. Sub-Segment B
  11.7. By Segment C, 2024 - 2030, (US$ Mn and Units)
    11.7.1. Sub-Segment A
    11.7.2. Sub-Segment B
  11.8. By Country, 2024 - 2030, (US$ Mn and Units)
    11.8.1. UK
    11.8.2. Germany
    11.8.3. France
    11.8.4. Spain
    11.8.5. Rest of Europe
  11.9. Opportunity Analysis
Chapter 12. MENA Electronic Dance Music (EDM) Market Forecast and Trend Analysis
  12.1. Regional Overview
  12.2. Pricing Analysis
  12.3. Key Trends in the Region
    12.3.1. Supply and Demand
  12.4. Demographic Structure
  12.5. By Segment A , 2024 - 2030, (US$ Mn and Units)
    12.5.1. Sub-Segment A
    12.5.2. Sub-Segment B
  12.6. By Segment B, 2024 - 2030, (US$ Mn and Units)
    12.6.1. Sub-Segment A
    12.6.2. Sub-Segment B
  12.7. By Segment C, 2024 - 2030, (US$ Mn and Units)
    12.7.1. Sub-Segment A
    12.7.2. Sub-Segment B
  12.8. By Country, 2024 - 2030, (US$ Mn and Units)
    12.8.1. Egypt
    12.8.2. Algeria
    12.8.3. GCC
    12.8.4. Rest of MENA
  12.9. Opportunity Analysis
Chapter 13. Asia Pacific Electronic Dance Music (EDM) Market Forecast and Trend Analysis
  13.1. Regional Overview
  13.2. Pricing Analysis
  13.3. Key Trends in the Region
    13.3.1. Supply and Demand
  13.4. Demographic Structure
  13.5. By Segment A , 2024 - 2030, (US$ Mn and Units)
    13.5.1. Sub-Segment A
    13.5.2. Sub-Segment B
  13.6. By Segment B, 2024 - 2030, (US$ Mn and Units)
    13.6.1. Sub-Segment A
    13.6.2. Sub-Segment B
  13.7. By Segment C, 2024 - 2030, (US$ Mn and Units)
    13.7.1. Sub-Segment A
    13.7.2. Sub-Segment B
  13.8. By Country, 2024 - 2030, (US$ Mn and Units)
    13.8.1. India
    13.8.2. China
    13.8.3. Japan
    13.8.4. ASEAN
    13.8.5. Rest of Asia Pacific
  13.9. Opportunity Analysis
Chapter 14. Sub-Saharan Africa Electronic Dance Music (EDM) Market Forecast and Trend Analysis
  14.1. Regional Overview
  14.2. Pricing Analysis
  14.3. Key Trends in the Region
    14.3.1. Supply and Demand
  14.4. Demographic Structure
  14.5. By Segment A , 2024 - 2030, (US$ Mn and Units)
    14.5.1. Sub-Segment A
    14.5.2. Sub-Segment B
  14.6. By Segment B, 2024 - 2030, (US$ Mn and Units)
    14.6.1. Sub-Segment A
    14.6.2. Sub-Segment B
  14.7. By Segment C, 2024 - 2030, (US$ Mn and Units)
    14.7.1. Sub-Segment A
    14.7.2. Sub-Segment B
  14.8. By Country, 2024 - 2030, (US$ Mn and Units)
    14.8.1. Ethiopia
    14.8.2. Nigeria
    14.8.3. Rest of Sub-Saharan Africa
  14.9. Opportunity Analysis
Chapter 15. Australasia Electronic Dance Music (EDM) Market Forecast and Trend Analysis
  15.1. Regional Overview
  15.2. Pricing Analysis
  15.3. Key Trends in the Region
    15.3.1. Supply and Demand
  15.4. Demographic Structure
  15.5. By Segment A , 2024 - 2030, (US$ Mn and Units)
    15.5.1. Sub-Segment A
    15.5.2. Sub-Segment B
  15.6. By Segment B, 2024 - 2030, (US$ Mn and Units)
    15.6.1. Sub-Segment A
    15.6.2. Sub-Segment B
  15.7. By Segment C, 2024 - 2030, (US$ Mn and Units)
    15.7.1. Sub-Segment A
    15.7.2. Sub-Segment B
  15.8. By Country, 2024 - 2030, (US$ Mn and Units)
    15.8.1. Australia
    15.8.2. New Zealand
    15.8.3. Rest of Australasia
  15.9. Opportunity Analysis
Chapter 16. Competition Analysis
  16.1. Competitive Benchmarking
    16.1.1. Top Player’s Market Share
    16.1.2. Price and Product Comparison
  16.2. Company Profiles
    16.2.1. Company A
      16.2.1.1. Company Overview
      16.2.1.2. Segmental Revenue
      16.2.1.3. Product Portfolio
      16.2.1.4. Key Developments
      16.2.1.5. Strategic Outlook
    16.2.2. Company B
      16.2.2.1. Company Overview
      16.2.2.2. Segmental Revenue
      16.2.2.3. Product Portfolio
      16.2.2.4. Key Developments
      16.2.2.5. Strategic Outlook
    16.2.3. Company C
      16.2.3.1. Company Overview
      16.2.3.2. Segmental Revenue
      16.2.3.3. Product Portfolio
      16.2.3.4. Key Developments
      16.2.3.5. Strategic Outlook
    16.2.4. Company D
      16.2.4.1. Company Overview
      16.2.4.2. Segmental Revenue
      16.2.4.3. Product Portfolio
      16.2.4.4. Key Developments
      16.2.4.5. Strategic Outlook
    16.2.5. Company E
      16.2.5.1. Company Overview
      16.2.5.2. Segmental Revenue
      16.2.5.3. Product Portfolio
      16.2.5.4. Key Developments
      16.2.5.5. Strategic Outlook
    16.2.6. Company F
      16.2.6.1. Company Overview
      16.2.6.2. Segmental Revenue
      16.2.6.3. Product Portfolio
      16.2.6.4. Key Developments
      16.2.6.5. Strategic Outlook
    16.2.7. Company G
      16.2.7.1. Company Overview
      16.2.7.2. Segmental Revenue
      16.2.7.3. Product Portfolio
      16.2.7.4. Key Developments
      16.2.7.5. Strategic Outlook
    16.2.8. Company H
      16.2.8.1. Company Overview
      16.2.8.2. Segmental Revenue
      16.2.8.3. Product Portfolio
      16.2.8.4. Key Developments
      16.2.8.5. Strategic Outlook
    16.2.9. Company I
      16.2.9.1. Company Overview
      16.2.9.2. Segmental Revenue
      16.2.9.3. Product Portfolio
      16.2.9.4. Key Developments
      16.2.9.5. Strategic Outlook
    16.2.10. Company J
      16.2.10.1. Company Overview
      16.2.10.2. Segmental Revenue
      16.2.10.3. Product Portfolio
      16.2.10.4. Key Developments
      16.2.10.5. Strategic Outlook
Chapter 17. Go-To-Market Strategy

Research Methodology

We follow a robust research methodology to analyze the market in order to provide our clients with qualitative and quantitative analysis which has a very low or negligible deviance. Extensive secondary research supported by primary data collection methods help us to thoroughly understand and gauge the market. We incorporate both top-down and bottom-up approach for estimating the market. The below mentioned methods are then adopted to triangulate and validate the market.

Secondary data collection and interpretation

Secondary research includes sources such as published books, articles in journals, news media and published businesses, government and international body publications, and associations. Sources also include paid databases such as Hoovers, Thomson Reuters, Passport and others. Data derived through secondary sources is further validated through primary sources. The secondary sources also include major manufacturers mapped on the basis of revenues, product portfolios, and sales channels.

Primary data collection

Primary data collection methods include conducting interviews with industry experts and various stakeholders across the supply chain, such as raw material suppliers, manufacturers, product distributors and customers. The interviews are either telephonic or face-to-face, or even a combination of both. Prevailing trends in the industry are gathered by conducting surveys. Primary interviews also help us to understand the market drivers, restraints and opportunities, along with the challenges in the market. This method helps us in validating the data gathered through secondary sources, further triangulating the data and developing it through our statistical tools. We generally conduct interviews with -

  • CEOs, Directors, and VPs
  • Sales and Marketing Managers
  • Plant Heads and Manufacturing Department Heads
  • Product Specialists

Supply Side and Demand Side Data Collection

Supply side analysis is based on the data collected from the manufacturers and the product providers in terms of their segmental revenues. Secondary sources for this type of analysis include company annual reports and publications, associations and organisations, government publications and others.

Demand side analysis is based upon the consumer insights who are the end users of the particular product in question. They could be an individual user or an organisation. Such data is gathered through consumer surveys and focused group interviews.

Market Engineering

As a primary step, in order to develop the market numbers we follow a vigorous methodology that includes studying the parent market of the niche product and understanding the industry trends, acceptance among customers of the product, challenges, future growth, and others, followed by further breaking down the market under consideration into various segments and sub-markets. Additionally, in order to cross-validate the market, we also determine the top players in the market, along with their segmental revenues for the said market. Our secondary sources help us to validate the market share of the top players. Using both the qualitative and quantitative analysis of all the possible factors helps us determine the market numbers which are inclined towards accuracy.

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